Revisiting a good joke on pretentious literary modernism: “In a single rollicking afternoon McAuley and Stewart cooked up the collected works of Ernest Lalor Malley. Imitating the modern poets they most despised (‘not Max Harris in particular, but the whole literary fashion as we knew it from the works of Dylan Thomas, Henry Treece, and […]
The Ern Malley Poetry Hoax Read More »
Great fun: An artworld scam from the 1920s.
Pavel Jordanowitch and the Disumbrationist School of Art Read More »
The poet William Wordsworth said: “Our meddling intellect Mis-shapes the beauteous forms of things; –We murder to dissect.” For more on the meaning and implications of Wordsworth’s claim, see p. 68 of my Explaining Postmodernism: Skepticism from Rousseau to Foucault. Information about other editions and translations is available at this dedicated page.
William Wordsworth in Explaining Postmodernism Read More »
I will be a keynote speaker at the first TRAC conference to be held in Europe. Related video: Comments on Odd Nerdrum and Roger Scruton. From Modern to Postmodern Art and Beyond.
TRAC Netherlands art conference Read More »
When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.” Related: “How Rachmaninoff’s composing was hurt by the Soviet Union.”
Rachmaninoff upon becoming an American citizen Read More »
At the TRAC 2014 conference in Ventura, California (“The Aesthetics of 21st Century”), I participated in a panel discussion on talks presented by philosopher Roger Scruton and artist Odd Nerdrum. Scruton spoke of Beauty and Nerdrum spoke of Kitsch. My comments in response run for 18 minutes, beginning at the 40:16 mark, following a quick
Comments on Roger Scruton and Odd Nerdrum Read More »
In my “Why Art Became Ugly,” I claimed that modern art’s trajectory was to abandon art for philosophy. In modernism, art becomes a *philosophical* enterprise rather than an *artistic* one. The driving purpose of modernism is not to *do* art but to *find out* what art is. Here’s a new-to-me datum about René Magritte, from
Was Magritte an artist — or a philosopher? Read More »
Why does Fountain matter so much to art history? Honored to be included in this collection of quotations on Duchamp’s significance. For more context and development: “The Most Important Artist of the Century” and “Why Art Became Ugly.”
The significance of Duchamp’s urinal Read More »