O tema de uma pesquisa recente entre principais artistas e críticos de arte de nossa geração tratou de quem foi o artista mais influente do século XX. Quem venceu? Se você chutou Pablo Picasso — boa tentativa, mas ele ficou em segundo. Antes de identificarmos o vencedor, vamos refletir sobre a importância do 1º lugar […]
O artista mais importante do nosso século Read More »
A striking quotation about Aristotle’s Poetics and its contemporary relevance. Pixar Animation Studios is one the great technical and financial successes in the movie industry. Early in its development, two individuals who were to be instrumental to that success, John Lasseter and Pete Docter, knew that story-telling and not just techical wizardry was essential to
Aristotle at Pixar Animation Studios Read More »
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Pairing: Van Gogh’s and Wyeth’s boots Read More »
The opening of my latest column at EveryJoe: “A survey asked our generation’s leading artists and critics to identify the most influential artist of the twentieth century. Who won? If you guessed Pablo Picasso — nice try, but he came in second. “Before identifying the survey’s winner, let’s ask why it matters who topped the
The Most Important Artist of the Century [new The Good Life column] Read More »
Você pode ter notado que as coisas no mundo da arte estão um pouco, bem, fora do lugar. Entre os artistas que mais ouvimos falar hoje estão a “garota-vômito”, também conhecida como Millie Brown, que bebe leite de soja com corantes e o vomita na tela. Ou Jeff Koons, que recebe milhões por objetos intencionalmente
Levando os artistas modernos ao pé da letra Read More »
The opening of my latest column at EveryJoe: “You may have noticed that things in the art world are a little, well, off these days. “The artists we hear most about are those like vomit girl, also known as Millie Brown, who drinks colored milk and then makes herself throw up on the canvas. Or
Taking Modern Artists at Their Word [new The Good Life column] Read More »
Kant I really want To understand Kant And all of his vaunted system. But somehow my brain resists him. I’d like to take up the helm On a trip through his noumenal realm And soak up all the glories Of his cognitive categories. But somehow my mind cries: “No! It’s no place you want to
John Enright’s “Kant” Read More »
Add this to your “Why Art Education Is Important” file: “You can deduce everything about a woman from the way she holds her feet,” Edouard Manet once said to Stephen Mallarmé. “Seductive women always turn their feet out. Don’t expect to get anywhere with a woman who turns her feet in.”[1] Which makes this painting
Manet on a woman’s tellingly-placed feet Read More »