Two images, the first taken on a walk yesterday near my home in Illinois. This is the northern part of the state in early spring. The second is one of my favorite Pissarro landscapes, Chestnut Trees at Osny, painted in northern France circa 1873. That coincidence makes me happy.
Camille Pissarro in Illinois? Read More »
My four-page essay “Post-Postmodern Art” was translated into Serbo-Croatian by Alma Causevic. The essay was originally published in The Newberry Manifesto in 2001 and is also available in English in a re-print edition with images of the relevant works [pdf].
“Post-Postmodern Art” translated Read More »
I’ll be giving a talk at the 2011 APEE conference in April. My title is “Cameron Hawley, Henry Kitchell Webster, and Populist Capitalism in Literature.” Here is the abstract: In the early and middle part of the twentieth-century, Hawley and Webster were strong-selling authors of novels that dramatized themes of business ethics and political economy.
Populist capitalism in literature Read More »
I recently watched Marty for the first time. The film stars Ernest Borgnine, and it won the 1955 Academy Award for Best Picture along with three other Oscars, so I figured I should watch it. My five-sentence summary: Marty’s gonna run a fine butcher shop some day. Lonely Marty finally meets a girl who’s a
[Warning in this litigious age: Humor ahead.] Those of us with artistic sensibilities often find it a challenge to communicate (and commune with) our revolutionary artistic credos using totally inadequate bourgeois concepts. So my comrade in arms, George Plumley, sent me a very helpful link: The Market-O-Matic (1.0) [fine arts version]. The results are in.
Artistic slogan generator Read More »
In a Japanese mood, on a still, moonlit night, near the end of autumn. Not for nothing Did the red leaf fall.
A 3 a.m. poem, toward the end of autumn Read More »
Economics professor Nimish Adhia will give a talk at Rockford College on Friday, September 24. His theme will be India’s setting itself on the road to prosperity and how Bollywood films both signaled and contributed to the cultural shift necessary for economic liberalization to occur. For much of the twentieth century, poverty and stagnation characterized
Nimish Adhia on Bollywood and India’s new prosperity Read More »