Aristotle with a Bust of Homer, Then and Now
From the still-hilarious files. Changing times. Rembrandt van Rijn (1653) and Michael Crawford (1992).
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Painting
Artistic representation: Picasso versus Matisse
From Jack D. Flam’s Matisse and Picasso: The Story of Their Rivalry and Friendship (2003): ‘Picasso characterized the arbitrariness of representation in his Cubist paintings as resulting from his desire for “a greater plasticity.” Rendering an object as a square or a cube, he said, was not a negation, for “reality was no longer in
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“Expulsion from the Garden of Eden” by Masaccio, 1425 [Newberry on Great Art series]
An Artist’s View: Michael Newberry on Key Works of Art in History Michael Newberry is a California-based artist who has exhibited across Europe and North America. He is the author of books on color theory, philosophy of art, modernism and postmodernism in art, and art history. We invited him into our studio for this series
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“Geometric Warrior,” 8th century BCE [Newberry on Great Art series]
An Artist’s View: Michael Newberry on Key Works of Art in History Michael Newberry is a California-based artist who has exhibited across Europe and North America. He is the author of books on color theory, philosophy of art, modernism and postmodernism in art, and art history. We invited him into our studio for this series
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Caspar David Friedrich faces the world
Here is a site devoted to Caspar David Friedrich (1774-1840), the 19th-century German Romantic painter. The feature image is a portrait of Friedrich by Franz Gerhard von Kugelgen (1772-1820). [More of my art-related posts.]
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Pairing: Van Gogh’s and Wyeth’s boots
Click on images to enlarge.
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Manet on a woman’s tellingly-placed feet
Add this to your “Why Art Education Is Important” file: “You can deduce everything about a woman from the way she holds her feet,” Edouard Manet once said to Stephen Mallarmé. “Seductive women always turn their feet out. Don’t expect to get anywhere with a woman who turns her feet in.”[1] Which makes this painting
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