Philosophy

Why did the editor of *British Journal of Aesthetics* say Kant is key to Modernist Art?

Kant is “rightly regarded as the founder of modern aesthetics.” That is Harold Osborne, longtime editor of the scholarly British Journal of Aesthetics. Osborne further claims that Kant’s “theory is the most important anticipation of the modern aesthetic outlook in any philosopher before the twentieth century”. While it’s initially shocking to think that the priggish and […]

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Now is the winter of our content — but not for these philosophers

When little Sigmund saw his mother kissing Santa Claus: “I saw Mommy kissing Santa ClausUnderneath the mistletoe last night.It surely was a dream,I thought, brought on by curdled cream.Now therapy is called forPsy-cho-a-nal-y-ti-cly. (With apologies to the Jackson Five.) Related: My annually reposted “Scrooge’s Hero’s Journey.”

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“Educating for Entrepreneurship” — published in English and in Polish

[The English text below was also translated into Polish and published in the education journal Przegląd Pedagogiczny.] Educating for Entrepreneurship Stephen R.C. HicksDepartment of Philosophy and Center for Ethics and EntrepreneurshipRockford UniversityRockford, Illinois, USA Introduction: Japanese visitors to American schools Recently a team of Japanese investigators come to the United States to study its school

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Beiser on why the Counter-Enlightenment still matters today

A key exchange between 3:AM Magazine and scholar Frederick Beiser, author of The Fate of Reason: German Philosophy from Kant to Fichte: 3:AM: But this is the question that German philosophers in the last decades of the eighteenth century started asking: as you put it, they asked, ‘what is the authority of reason?’ They were

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Duchamp’s urinal & Kant’s sublime, according to Jerry Saltz of New York Magazine

Jerry Saltz, a senior art critic for New York Magazine, makes a strong connection between Duchamp and Immanuel Kant’s theory of the sublime in art. Writing in the Village Voice, Saltz says: “Fountain brings us into contact with an original that is still an original but that also exists in an altered philosophical and metaphysical

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