Duchamp’s urinal & Kant’s sublime, according to Jerry Saltz of New York Magazine
Jerry Saltz, a senior art critic for New York Magazine, makes a strong connection between Duchamp and Immanuel Kant’s theory of the sublime in art. Writing in the Village Voice, Saltz says: “Fountain brings us into contact with an original that is still an original but that also exists in an altered philosophical and metaphysical […]
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